Baz Luhrmanns 1996 adaptation of William Shakespe atomic number 18s Romeo and Juliet contains many a(prenominal) diametralal tv camera techniques akin camera travels/ nominal heads, costumes, props and soundtracks to clearly identify the diametric aspects and attitudes of both character. Camera and angle movements play a commodious role in describing the different characteristics of each character. This can confabulate to Tybalt. Although the editing makes the fight view overall fast paced the camera centers on Tybalt several times, in slow motion, as he prepares to shoot. His movements are like a ritual which seems he has performed many times. E genuinely distinct movement is exaggerated. His taking his jacket dispatch then taking his gas pedal out and hugging it. The camera also focuses on his skills with the gun. He doesnt seem to be disturbed by the situation in the least. He seems very comfortable with the scenario and takes his time in every movement sort of li ke a cat wich could be the reason why he is called the king of cats. This shows that Tybalt is stylish and pith business and the he has performed these moves many times making him a dangerous and inimical person. Using a variety Costumes are also an classic technique wich helps us to identify the different aspects of every character. The Costumes generate information about the dissimilitude in the personalities of the Capulets and Montagues to one another.
The Capulets uniform are all black leather, while the others are have on brightly coloured Hawaiian shirts. This symbolizes their personalities, and sinc e the c push-down storagehes and colours are! in contrast to each other, it makes the difference in the personalities stock-still more extreme. The Capulets have a lot of phantasmal symbols on their chests; wich could mean they are more religious when compared to the Montagues. Many religious people are peaceful because they line the... If you want to win a full essay, order it on our website: OrderCustomPaper.com
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